blog photos radio projects me

‘Avatar’ in the AmazonPublic Radio International

Somebody set up an event where indige­nous leaders from the Ecuadorean Amazon were bussed in to Quito to watch Avatar. My first instinct, in imag­ining that sce­nario, is to feel a little uncom­fort­able. I found Avatar to be a grab bag eth­i­cally. It’s by no means an inten­tion­ally com­plex story — it’s all pretty black and white in Jim Cameron’s fan­tasy world — but responding to the nar­ra­tive might require some mildly tricky eth­ical parsing on the viewer’s part. This has been pointed out many times now, but to review:

  • on the one hand, the basic plot of the indige­nous resisting the colo­nialist para­mil­i­tary forces of the white envi­ron­mental exploiters is obvi­ously benign, if a little pat. American forces get­ting whacked by the right­eous, in an American film!
  • on the other hand, I can’t imagine a more full-bodied instance of the noble savage myth. I mean, these guys are thor­oughly in per­fect har­mony with their envi­ron­ment, thanks to their untouched uncom­plexity, and not having eaten the apple.
  • and most sig­nif­i­cantly, and as has been pointed out many times, the indige­nous are pow­er­less to save them­selves until a white leader orga­nizes them.

The good news is that all of these ele­ments are pre­sented in such a heavy handed manner that you can pretty safely ignore them and get on with the busi­ness of watching what is, absolutely, an extra­or­di­nary 3d spec­tacle. The writing is too stupid to be insidious.

But what about if it was being shown to some folks from up river in the Oriente? The article points out that some of them had appar­ently never even been in a movie the­atre before. I’ll bet some of them had, espe­cially if they were local polit­ical leaders. Then again, a local Hourani headman once asked me if he could try my CD Walkman, and when I let him, he sat in my ham­mock and lis­tened to Johnny Cash and Willy Nelson’s Story Tellers Live from begin­ning right through to the end, clap­ping when­ever the audi­ence clapped, and giving the strong impres­sion of never having lis­tened to music on head­phones before. Or maybe he just really liked Johnny Cash and Willy Nelson (who wouldn’t?).

I digress. Point is, I wouldn’t know before­hand exactly how a room full of Ecuadorean indige­nous leaders would respond to Avatar. In 3d no less. According to whomever pre­pared the article/audio/video, appar­ently pretty well:

Honestly, this is the first time I’m seeing this movie, and it’s reality, what’s hap­pening now just in another dimension.”

Others say there was at least one thing in the movie that veered from their reality. Achuar leader Luis Vargas says it’s where the white guy sweeps in to the rescue. But he says that’s to be expected.

This is a Hollywood movie, so it’s prac­ti­cally a given that a mes­tizo comes to the defense and leads [the people] to tri­umph in the end.”

Still, he liked the film, and his fellow Achuar leader Ernesto Vargas says he hopes another group will get a chance to see it.

Think of how much better it would be if we showed this film to people who actu­ally want to exploit petro­leum. I think it would serve them very well, even more than us.”

Also very interesting:

As for Ecuador’s President Correa, he saw the movie with his chil­dren the day after it pre­miered in Ecuador. No word yet on what he thought of it.

Correa is a smart guy, it’s going to be pretty clear to him that Ecuador and the petro­leum and mining strug­gles there are an obvious sur­ro­gate for Pandora in the western mind. Many, many western minds have now imbibed Avatar. Western per­cep­tion, and Correa’s per­cep­tion of western per­cep­tion, counts highly in the out­comes of those struggles.

As well as the full text at the link, there’s audio:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

and this video:

The treeplanting com­pany I’ve lately been working for seems to have folded. Who knows, maybe that is the final nail in the coffin of my treeplanting career, which has been drifting off to sleep asymp­tot­i­cally for years now.

Regardless of my own summer des­tiny, I’ve been fielding the occa­sional email from rookies and vets who are bound for the block this summer, and are looking for ref­er­ences and advice during this, the hiring season. I don’t know how much advice I have, but I can at least offer “Gorilla Warfare”, LazzaGun Soundsystem’s latest treeplanting themed musical con­coc­tion, which arrived today in the email. Be warned, the lan­guage is as salty as the planting day is long.

Gorilla Warfare  by  Lars Zergun

You may remember Lars from such bygone hits as 2007 Pounder Mix and Welcome 2 Treeplanting 2012.

At an inquiry into the tasering death of a men­tally ill man in Nova Scotia, a clin­ical psy­chol­o­gist who has been called to tes­tify is taking on the con­cept of “excited delirium”. Excited delirium is the corporate-speak med­ical diag­nosis that was invented by TASER International to obfus­cate respon­si­bility when yet another person hap­pens to die at roughly the same time as they’re having elec­tricity dis­charged into their body.

Expert at N.S. inquiry chal­lenges notion of excited delirium in man’s death — Canadian Press

The attrac­tive­ness of the term may relate to some of its pro­po­nents having … the sub­jec­tive per­cep­tion that con­ducted energy weapon use and phys­ical, mechan­ical restraint used by law enforce­ment offi­cers deserves to be excluded or absolved as con­tributing in any way to an in-custody death,” the report says. “The deceased is iden­ti­fied as the cul­prit and must have had the con­di­tion of excited delirium.”

Noone tes­ti­fied the term implies those in the throes of excited delirium “had some­thing wrong with them” to begin with. “And if they died, they were going to die anyway. Excited delirium (pro­po­nents) say that people walk around in this state where they could drop at any moment. In my expe­ri­ence, they are not drop­ping at any moment.”

I love the sound of sanity in a courtroom.

Previously:

The Epistemology of Tasers, Revisited

When Epistemology Kills

Taser Deaths: Define “Contributed”

A map of all the graf­fitti known to the City of Vancouver, cour­tesy of the fan­tastic City of Vancouver Open Data Catalogue.


View Larger Map

I’m not sure what the dif­fer­ence between the grey-on-yellow and the yellow-on-grey check­marks is. I guess they need to work on their meta­data still.

update: it looks like each dataset in the cat­a­logue actu­ally is asso­ci­ated with a handy meta­data page. For example, here’s useful info on the graf­fiti data, including the fact that the data is updated weekly. Although I still can’t figure out what the dif­fer­ence between grey and yellow boxes is in the Google Maps ver­sion above.

double bladed package cutter

Should you find your­self needing to recover exposed film from a 1924 Kodak camera in inde­ter­mi­nate con­di­tion due to its having lain next to a dead body in the snow­blasted extremis of the 8000m alpine for a cen­tury, this gen­tlemen has pre­pared some notes on the subject:

A127 Film: Care & Developing Suggestions (via SciAm)

5. Recognize that once you have the camera, try to calm down. As long as you can keep it cold, speed is no longer of the essence. It is much more impor­tant to follow the pro­ce­dure cor­rectly and slowly than to screw-up quickly. If you have to wait a few days to make an unob­tru­sive exit from Base Camp, do so.”

advertisement for the VPK courtesy of Mario Groleau

I think the reason that I’m sur­prised by Howard Zinn’s death — even though he was 87 — is that he seemed so alive right up to the full stop.

Howard Zinn, his­to­rian who chal­lenged status quo, dies at 87 — Boston Globe

Howard Kunstler once said that the most inter­esting people he knows didn’t know what they wanted to be until they were 40. I guess Zinn fig­ured out he wanted to be a his­to­rian slightly ear­lier than that, but 40 was about when his par­tic­ular way of being a his­to­rian started changing the world.

R^2

Roughly a year ago, I made some noises on this blog about wanting to learn R. Not sur­pris­ingly, I didn’t do it.

A year later I’m a gov­ern­ment sci­en­tist with some sta­tis­tics to do, and I’m once again thinking of learning me some R. In the interim, I’ve received an email assuring me “you could get up and run­ning with it within a day, I think. Master it in a week or two”. So I down­load the package — it’s free! — install it, and boot it up. I’m looking at a com­mand line con­sole labelled the “GUI” (ha ha), with the fol­lowing help text:

Type ‘demo()’ for some demos”

Demos! Perfect! Let’s see some con­crete exam­ples of how to do sta­tis­tics in R-land! So I type demo() into the “GUI” prompt, and receive the fol­lowing output:

Demos in package ‘base’:

is.things: Explore some prop­er­ties of R objects and is.FOO() func­tions. Not for new­bies!
recur­sion: Using recur­sion for adap­tive inte­gra­tion
scoping: An illus­tra­tion of lex­ical scoping.

Demos in package ‘graphics’:

Hershey: Tables of the char­ac­ters in the Hershey vector fonts
Japanese: Tables of the Japanese char­ac­ters in the Hershey vector fonts
graphics: A show of some of R’s graphics capa­bil­i­ties
image: The image-like graphics builtins of R
persp: Extended persp() exam­ples
plot­math: Examples of the use of math­e­matics annotation

Demos in package ‘stats’:

glm.vr: Some glm() exam­ples from V&R with sev­eral pre­dic­tors
lm.glm: Some linear and gen­er­al­ized linear mod­el­ling exam­ples from ‘An Introduction to Statistical Modelling’ by Annette Dobson
nlm: Nonlinear least-squares using nlm()
smooth: ‘Visualize’ steps in Tukey’s smoothers

Use ‘demo(package = .packages(all.available = TRUE))’ to list the demos in all *avail­able* packages.

Tables of the char­ac­ters in the Hershey vector fonts? demo(package = .packages(all.available = TRUE))? Some of the ‘stats’ pack­ages sounded like they might make sense, so I tried to run them, but I couldn’t figure out how. I love the idea of open source bare-knuckle com­puting. I wish I loved it in practice.

Here’s a remark­able claim:

Digital sub­scrip­tions were sup­posed to replace micro­film, but American libraries, which knew we were racing toward reces­sion years before the actual global crisis came, stopped being able to pay for dig­ital news­paper and mag­a­zine descrip­tions nearly a decade ago. Many also (even fancy, famous ones) can no longer collect—or can only col­lect in a lim­ited fashion. Historians and scholars have access to every issue of every news­paper and journal written during the civil rights struggle of the 1960s, but can access only a com­par­a­tive handful of papers cov­ering the elec­tion of Barack Obama.”

Posthumous Hosting and Digital Culture — zeldman.com

Can that be true?

It’s easy to take shots at someone else’s pho­tog­raphy edi­to­rial, it’s much harder to offer some­thing useful of one’s own. And I’m at a par­tic­ular dis­ad­van­tage because I’m not much of a pho­tog­ra­pher. Whatever that instinc­tual knack for effec­tive com­po­si­tion is that marks really good pho­tog­ra­phers, I ain’t got it. Yet I’ve still man­aged to take a few photos that I find sat­is­fying, and I occa­sion­ally get asked how I get photos to “look like that”. I won’t answer that how-to ques­tion in this post, because I think what people are typ­i­cally asking is for tech­nical specifics around image quality. I can address tech­nical stuff in a latter post — it’s actu­ally a pretty stan­dard set of camera set­tings and pro­cessing steps. What I want to do here is address how it is that, as a pho­to­graphic mid­dler, I still some­times get nice overall photos.

There are 3 rules that work for me. In order from most to least impor­tant, they are:

  1. Go inter­esting places.

    This includes inter­esting people. I sup­pose you can take pleasant macro shots which decon­tex­tu­alize com­mon­place objects in playful and star­tling ways without even leaving the house. But I don’t like that kind of pho­tog­raphy. I like pho­tographs that aggres­sively con­tex­tu­alize inter­esting things and people in inter­esting con­texts. I like photos that tell a sudden story, but only if it’s an inter­esting story. Those sto­ries are almost exclu­sively in inter­esting places, or at least around inter­esting people.

    lost balloon at Fuera Lucio protest in Quito

  2. Have a camera with you.

    On average, bigger more expen­sive cam­eras tend to take better photos under a wider range of con­di­tions. So take the biggest camera you can carry easily enough, and the most expen­sive camera you can afford to lose. Don’t take a camera which will slow you down, or which you’ll keep packed away for fear of loss or damage or theft. If that means taking a rinky dink little com­pact, great. I’ve had some suc­cess with dis­pos­ables car­ried in zip loc bags. Sure, this would be a better photo if I’d had a better camera, but if I’d held out for a better camera, I wouldn’t have had one with me.

    Brett giving directions to the helicopter over his head

  3. Take a photo.

    This rule is prob­ably obso­lete now — there was a time when people were ret­i­cent about pressing the shutter button, but we’re so far post-film that what­ever fear folks had of com­mit­ting to a shot, it’s mostly gone. Hooray! And there’s far more for­get­table pho­tographs surging along the fiber optic pipelines now because of that dig­ital flam­boy­ance. And there’s far more genius there too, because of it. People take risks, get imme­diate feed­back, and learn faster because they pho­to­graph more. Except my dad, but he’s coming along. Super tech­ni­cally com­pe­tent pho­tog­ra­phers know almost exactly how a photo is going to turn out before they shoot, but you’re not super techi­cally com­pe­tent, so take a flyer on what’s in front of you. Don’t take a photo if you think it will alienate your sub­ject, or get in between you and the expe­ri­ence of being in an inter­esting place. Otherwise, do.

    Never got around to submitting this to The Express.

Of course I don’t follow those rules, I just find that I get results when I do happen to be fol­lowing them.

Photography spaz Ken Rockwell is a leading light of the pho­tog­raphy blog­ging scene, and lords knows has plenty to say about pho­tog­raphy. Mostly, I’ve noticed, about what pho­tog­raphy is not about.

First and fore­most, it’s not about your camera. “Your equip­ment DOES NOT affect the quality of your image.” Emphasis his. For example.

It might just be about lenses , but not very many. It’s not about lens caps.

It’s not about tripods. Or bags.

It’s not par­tic­u­larly about soft­ware (he still uses iView and Photoshop proper, god help him), nor does a fast com­puter help. And colour man­age­ment isn’t useful for man­aging colour. Incidentally, his site looks kind of washed out until I apply colour man­age­ment to my screen.

Megapixels don’t matter, with which I am in absolute agreement.

Frankly, nothing new is good.

It’s not about shooting raw. In fact, this whole dig­ital thing is for suckers. “Shoot film, which I also find to be far less of a hassle than dicking around with raw files”. He’s serious.

And as of last week, per­haps having run low on things for pho­tog­raphy not to be about, it’s not about your sub­ject.

Here’s another secret: in pho­to­graphic art, it’s never about the sub­ject. It’s always about the under­lying com­po­si­tional struc­ture. Subjects that may be there are chosen because they sup­port or create a struc­ture, not the other way around.”

And that folks is why there is so much boring, de-contextualized, dis­en­gaging but tech­ni­cally com­pe­tent fluff in the “inter­esting” cat­e­gory at Flickr.

By the way, I highly rec­om­mend Ken Rockwell’s site for his dig­ital camera rec­om­men­da­tions, which tend to be prag­matic, con­cise and on-the-money in a way that no other pho­tog­raphy site I’m aware of man­ages. Somehow, it’s about the camera.

Ushahidi is “a plat­form that allows anyone to gather dis­trib­uted data via SMS, email or web and visu­alize it on a map or time­line.” They are pro­ducing a real-time map of crisis-relevant loca­tions in Haiti. People cur­rently in Port-Au-Prince can submit reports by text-message to a single phone number. The raw feed of reports coming in are inter­preted by vol­un­teers who then add them to the map under a number of cat­e­gories like “road blockage”, “food avail­able” or “missing person”. Volunteer teams in the US have been swap­ping off with teams in Africa to main­tain the site and keep up with reports throughout the day and night. Those vol­un­teers are also mon­i­toring a long list of news arti­cles, blogs, agency updates and the like to gen­erate reports directly.

In addi­tion to the map, people on the ground can sign up to be noti­fied when­ever a there is a new report within a cus­tomiz­able dis­tance of their location.

There seem to be mul­tiple aggre­ga­tions of incoming reports, pos­sibly broken into SMS mes­sages sub­mitted directly from Port-au-Prince, and items col­lected from news and social net­works by vol­un­teers. Those aggre­ga­tions con­tain detailed and in many cases alarming information.

Reading through the blog posts and news reports, it looks like the map is being used pri­marily by inter­na­tional agen­cies to dis­tribute resources. I’m curious to what degree internet is avail­able within Port-au-Prince itself. Apparently, there must be some access, because pre­vious to cell ser­vice being estab­lished, reports were coming in through “Web reports, email and Twitter”. According to their sit­u­a­tion room,the SMS method of reporting is now working.

Additionally, Google is coör­di­nating a person-finding appli­ca­tion.

Three weeks a month my house­mate is away at the tar sands, working on ter­raforming the planet, and occa­sion­ally taking photos in the process. Now some of those are going into a new Blipfoto daily journal: keepin it boreal.

“Thursday 7 January 2010: Dozer Steam

It is get­ting harder and harder as the nights get colder to take those pro­longed expo­sure shots in –40 degrees but I’m get­ting the hang of it. I jumped out of the truck and blasted of like 10 shots without really looking or focusing prop­erly before my hands and my poor camera lost their agility. This one turned out not so bad.”

Bruce Schneier is a secu­rity expert, but not in the stan­dard sense of someone who advo­cates for more secu­rity, all the time, at any cost, in order to increase demand for their con­sulting ser­vices. His back­ground is com­puting cryp­tog­raphy although he now works mostly in physical-world issues. He approaches the topic of secu­rity from an atyp­i­cally holistic per­spec­tive, trying to bal­ance real soci­etal ben­e­fits with real soci­etal costs. I’m not always con­vinced by every­thing he says, but he’s remark­ably con­vincing most of the time.

There are also a number of inter­esting facts about Bruce Schneier which can be found at schneierfacts.com. For instance, “Bruce Schneier writes his books and essays by gen­er­ating random alphanu­meric text of an appro­priate length and then decrypting it”. I did not know that.

Last night he was on CBC’s As It Happens, talking about air­port and non-airport secu­rity in light of the Christmas-day plane bombing attempt in the US. In the Canada in my mind, this is the kind of careful, outcomes-oriented dis­cus­sion we have around sig­nif­i­cant topics like counter-terrorism. One of my favourite remarks: he’s angry that the shoe-bomber failed to bomb but suc­ceeded in cre­ating terror anyway. He would like a secu­rity per­spec­tive where even if attacks occa­sion­ally suc­ceed, they failed to pro­duce terror, instead of the other way around.

The audio for last night’s As It Happens is avail­able on the episode page. Alternatively, here’s a direct link to the .wmv audio file for the first part of the show. Schneier is the first inter­view. There’s also plenty of inter­esting dis­course in the blog posts he’s written since the bomb attempt.

Forgive me for saying so, but I know a thing or two about enhancing pho­tographs. I’ve put some time in as a satel­lite and aerial imagery ana­lyst, and as a hobby pho­tog­ra­pher I make no apolo­gies about Photoshop. I grok his­togram response curves, level shifting,  global  and local con­trast, inter­po­la­tion, head­room, falloff, edge detec­tion, hue iso­la­tion and sat­u­ra­tion expan­sion. I know you almost always zoom out (!) to see a pat­tern, but if you want to get into pixel-peeping, I know a little about decom­posing a pixel into con­stituent spec­tral sig­na­tures, k-means clus­tering and machine-learning clas­si­fi­ca­tion, and all the lovely super­vised and unsu­per­vised pixel bin­ning tech­niques. If I give myself an hour to study up, I can even keep the Minimum Noise Transformation straight in my head for 15 min­utes. And the N-Dimensional Visualizer speaks for itself.

There is an enor­mous amount you can do to make a shape or pat­tern or shade of interest stand out in a image, by tweaking the colour or con­trast response, or exploiting extra parts of the light spec­trum to help the com­puter find hidden colours. You can fuzz together noisy pat­terns to see the shapes behind them, or bin together mul­tiple pixels to lighten up the dark­ness. Just about the only thing you can’t do is create detail where there wasn’t any to begin with.

So I get grumpy every time I watch a movie with an image analysis scene, and the one and only thing they always always do is the one damn thing you can’t.

dunk3d made a montage:

Two they left out:

Bladerunner (the original?)

and of course Super Troopers

…(although it’s true that imagery ana­lysts wear state trooper uni­forms to operate their com­puter terminals.)

This seems worth linking to.

I was working on a map­ping project, and I was frus­trated that I couldn’t find basic shore­line data for the Great Lakes. You wouldn’t think it would be hard to get some­thing as simple as an out­line of the most famous fresh water in the world, but it is: Geobase.ca for instance only covers half of the lakes because Geobase stops where Canada stops. Even if Geobase were inter­na­tional in scope, the National Hydro dataset on offer is insanely detailed and would have to be mosaiced and fil­tered and smoothed and gen­er­al­ized before being used to make a regional-scale map. Alternatively, there are a few clunky world base­layers floating around, but zoomed into a regional scale they look like they were dig­i­tized by an intern in a hurry. finder.geocommons.com (bless ‘em) has all kinds of inter­esting spe­cial­ized prod­ucts — Fishing Special Regulation Lakes in Pennsylvania for instance — but not just, you know, a decent map of all the lakes.

Nor is this an unusual problem. General basemap data is rare. High quality, con­sis­tent, freely avail­able, freely pub­lish­able basemap data is even rarer. Quality, con­sis­tent, usable basemap data that is pre­dictably find­able is gold. ESRI gives away some low-res, some­what incon­sis­tent free data, and will sell you a pretty com­pre­hen­sive set of higher quality stuff. But in my expereience the quality of even the paid data varies like crazy from juris­dic­tion to juris­dic­tion, and often doesn’t match up at the bor­ders. Each mapper I know has a little stash of their favourite basemaps, and some­times they will get traded around, and some­times they won’t. And that still doesn’t solve your problem if you’re trying to make a map that looks con­sis­tent across mul­tiple provinces or states or countries.

(I should point out that nor­mally, access to Great Lakes would be an excep­tion, since gis.glin.net is a good GIS source. But they’re broken these days).

If you want a nice tinted relief map of the world, that at least has been avail­able thanks to the work and gen­erosity of Tom Patterson, USGS car­tog­ra­pher and acknowl­edged master of shaded relief and nat­u­ral­istic car­tog­raphy. And for a while there have been hints that Tom was par­tic­i­pating in a new project that would release a broader set of basemap data, including high-quality vector data as well as raster layers. Wouldn’t that be a thing!

So I decided to check in on the progress of that project. And lo, it has been released! Since last week! Natural Earth is online and dis­trib­uting data.

What’s in there? An extra­or­di­nary car­to­graph­ical toolkit — phys­ical and cul­tural, hand-generalized to 3 dif­ferent useful scales. Checked for accu­racy and con­sis­tency. Comprehensive across the world. With an active infra­struc­ture for gath­ering reported errors and plans to revise and rere­lease improved iter­a­tions. Free as in beer, free as in speech. You don’t even have to sign in. And as if all that wasn’t enough, Tom Patterson seems to have included a new port­folio of shaded relief layers, including some gor­geous hyp­so­metric tinted land­cover rep­re­sen­ta­tions.

In addi­tion to Tom, the other dri­ving col­lab­o­rator seems to be one Nathaniel Kelso, someone I didn’t know of but who works for the Washington Post. Apparently the kernel of the vector side of Natural Earth is a dataset the Washington Post had assem­bled for quick-turn-around dia­gra­matic car­tog­raphy. I’m not quite clear on the funding of the project, but as far as I can tell the moti­va­tion is sheer good will. It’s an unex­pected and extremely promising car­tog­raphy resource.

That’s Toronto mayor David Miller accepting two (!) Fossil of the Day awards on behalf of Canada today at the Copenhagen talks. Photo from friend Heidi, who is attending Copenhagen pro­moting a pro­gram on adap­ta­tion in Africa. Not every Canadian pres­ence is about stalling col­lec­tive action. Go mayor Miller. Go Heidi.

Landcover change analysis has been an active area of research in the remote sensing com­mu­nity for many years. The idea is to make com­pu­ta­tional pro­to­cols and algo­rithms that take a couple of dig­ital images col­lected by satel­lites or air­planes, turn them into land­cover maps, layer them on top of each other, and pick out the places where the land­cover type has changed. The best pro­to­cols are the most pre­cise, the fastest, and which can chew on mul­tiple images recorded under dif­ferent con­di­tions. One of the favourite appli­ca­tions of land­cover change analysis has been defor­esta­tion detec­tion. A par­tic­u­larly pop­ular target for defor­esta­tion analysis is the trop­ical rain­forests, which are being chain­sawed down at rates which are almost as dif­fi­cult to com­pre­hend as it is to judge exactly how bad the effects of their removal will be on bio­log­ical diver­sity, plan­e­tary ecosystem func­tioning and cli­mate stability.

Google has now gotten itself into the envi­ron­mental remote sensing game, but in a Google-esque way: mas­sively, ubiq­ui­tously, com­pu­ta­tion­ally inten­sively, plau­sibly benignly, and with prob­able long-term finan­cial ben­e­fits. They are now run­ning a pro­gram to vacuum up satel­lite imagery and apply land­cover change detec­tion optomized for spot­ting defor­esta­tion, and for the time being tar­geted at the amazon basin. The public doesn’t cur­rently get access to the results, but pre­sum­ably that access will be rolled out once Google et al are con­fi­dent in the system. I have to hand it to Google: they are tech­ni­cally careful, but polit­i­cally aggres­sive. Amazon defor­esta­tion is (or should still be) a very polit­ical topic.

The par­tic­ular land­cover change algo­rithms they are using are appar­ently the direct product of Greg Asner’s group at Carnegie Institution for Science and Carlos Souza at Imazon. To signal my belief in the impor­tance of this project I’m not going to make a joke about Dr. Asner, as would nor­mally be required by my back­ground in the Ustin Mafia. (AsnerLAB!)

From the Google Blog:

We decided to find out, by working with Greg and Carlos to re-implement their soft­ware online, on top of a pro­to­type plat­form we’ve built that gives them easy access to ter­abytes of satel­lite imagery and thou­sands of com­puters in our data centers.”

That’s an inter­esting com­ment in it’s own right. Landcover/landuse change analysis algo­rithms pre­sum­ably require a rea­son­ably general-purpose com­puting envi­ron­ment for imple­men­ta­tion. The fact that they could be run “on top of a pro­to­type plat­form … that gives them easy access to … com­puters in our data cen­ters” sug­gests that Google has cre­ated some kind of more-or-less gen­eral pur­pose abstrac­tion layer than can invoke their unprece­dented com­puting and data resource.

They back that com­ment up in the bullet points:

Ease of use and lower costs: An online plat­form that offers easy access to data, sci­en­tific algo­rithms and com­pu­ta­tion horse­power from any web browser can dra­mat­i­cally lower the cost and com­plexity for trop­ical nations to mon­itor their forests.”

Is Google sig­naling their devel­op­ment of a com­mer­ical super­com­puting cloud, à la Amazon S3? Based on the fur­ther marketing-speak in the bul­lets that follow that claim, I woud say absolutely yes. This is a test project and a demo for that busi­ness. You heard it here first, folks.

Mongobay points out that it’s not just trop­ical forests that are qui­etly dis­s­a­pearing, and Canada and some other devel­oped coun­tries don’t do any kind of good job in aggre­gating or pub­li­cally map­ping their own enor­mous defor­esta­tion. I wonder: when will Google point its detec­tion pro­gram at British Columbia’s end­lessly exanding net­work of just-out-of-sight-of-the-highway clearcuts? And what facts and fig­ures will become readily acces­sible when it does?


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Mongobay also infers that LIDAR might be involved in this par­tic­ular process of detecting land­cover change, but that wouldn’t be the case. Light Detection and Ranging is com­monly used in char­ac­ter­izing forest canopy, but it’s still a plane-based imaging tech­nique, and as such not appro­priate for Google’s world-scale ambi­tions. We still don’t have a cred­ible hyper­spec­tral satel­lite, and we’re nowhere close to having a LIDAR satel­lite that can shoot reflecting lasers at all places on the sur­face of the earth. Although if we did have a satel­lite that shot reflecting lasers at all places on the sur­face of the earth, I somehow wouldn’t be sur­prised if Google was responsible.

Which leads me to the point in the Google-related post where I con­fess my ner­vous­ness around GOOG taking on yet another ser­vice — envi­ron­mental change map­ping — that should prob­ably be han­dled by a demo­c­ra­t­i­cally directed, pub­li­cally account­able orga­ni­za­tion rather than a publically-traded for-profit cor­po­ra­tion. And this is the point in the post where I admit that they are taking on that func­tion first and/or well.

Have you ever had that feeling that some­where out there, people are jam­ming on a Vic-20, a PET and a Commodore 64, pos­sibly in some kind of class­room setting?

The middle com­puter would be Petsnyth’s first (I assume) public performance.

I’m inter­ested in exploring the Google Wave com­mu­ni­ca­tion system, if anyone wants to try it I’m hughstimson@googlewave.com.

Should I not pub­lish that address on a web­site? Is there Wave spam yet? If not, I’m pre­dicting it. You heard it here first, folks.

I’m also ner­vous about Google owning yet another slice of our col­lec­tive infor­ma­tion infra­struc­ture. In the case of Wave, the code is (or will be) open-sourced, and in theory anyone could make inde­pen­dent server soft­ware to host waves. But unike con­ven­tional email you can’t use an off-line email appli­ca­tion as a prin­ciple place to host and store the things you’ve written to each other, so our com­mu­ni­ca­tions are pushed yet fur­ther onto the cloud. If my wave ser­vice could be hosted on my own cloud server that inter-operated with other people’s self-hosted wave servers that wouldn’t bother me much. But I still haven’t seen move­ment towards per­sonal cloud com­puting. And even if someone did make that happen, most people would go with a Wave ser­vice hosted and oper­ated by a big com­pany anyway, so that they wouldn’t have to think about it too much. And most of those people will end up with Google, because it will be the first Wave provider and, knowing Google, the best implemented.

Thus, if Waves do sig­nif­i­cantly sup­plant emails, the single most impor­tant mes­saging tool on the internet will largely be cen­tral­ized with the same pub­li­cally traded for-profit cor­po­ra­tion that han­dles our map­ping and our dri­ving and our book searching and our public tran­siting and our finding of each other and our finding of every­thing. And it is indeed Google’s stated hope that wave will be the next email.

That said, who wants to try it out with me?

Update Dec 8th: I now have a whole bunch of invites to give out. The rate they’re arriving sug­gests that Wave is close to going open to normal sign-ups, but if you’re still looking for early access, and I know you somehow, I can prob­ably hook you up.

President Obama today announced that he’ll be going to the Copenhagen cli­mate talks, and that he’ll be taking an emis­sions cut pledge with him. That would be a 17% cut from 2005 levels by 2020. It’s great to hear a US leader set­ting quan­ti­ta­tive targets.

There are a few caveats:

  • the President doesn’t get to pass laws and con­gress hasn’t com­mitted, so it’s not clear how he can make a uni­lat­eral pledge
  • he’s going to the start of the talks, rather than the end, which is when all the rest of the leaders are sup­posed to hang out

I’m happy to look past those. Setting tar­gets and filling in the details later beats nothing, and what the hell ever hap­pens at leader’s photo-ops anyway? But there’s one more

  • that’s a 17% cut from 2005 levels

When coun­tries announce emis­sions reduc­tions, they almost always either base­line them against 1990, or some time in the last few years. If they pick 1990, it’s because they’re serious and they want to use the same stan­dard that’s been in play since the days when the Kyoto Treaty was being for­mu­lated. Using 1990 means you can com­pare it against every­body else’s reduc­tion com­mit­ments, since they’re all using 1990 levels as well.

Except for that second group, who will use a recent year, like 2005 or 2006. Some time just long enough ago that emis­sions data is firmly on record, but recent enough that the pro­por­tional cal­cu­la­tion includes all the increases in emis­sions that have gone on since we were sup­posed to get serious about reduc­tions back in the ‘90s. Obama has chosen to be in that second group.

How about Canada? We’ve pledged (also without saying how we’re going to do it) 20% cuts from 2006 levels. Second group. Short bus.

Hard to sort out what all those num­bers mean: 20% vs. 17% of two dif­ferent emis­sions levels, 1990 vs 2005 vs 2006. Luckily, Stephen Wolfram’s mas­sive ego begot Wolfram Alpha for exactly this sort of operation.

So, Wolfram Alpha, if the U.S. cut its green­house gas levels to 17% of what it emitted in 2005, what pro­por­tion of the amount emitted in 1990 would that be?

If Wolfram’s data is cor­rect and the U.S. fol­lowed through on this cur­rent pledge, by 2020 the nation would be emit­ting 97% of the green­house gases released in 1990. That’s a 3% cut against 1990 levels, to com­pare with the 20 to 30% the European Union has pledged, for example. Keep in mind, by 1990 we had already real­ized that green­house gas levels were too high to main­tain a stable cli­mate. And by 2020 we will have had yet another decade of desta­bi­liza­tion. I’m still glad he’s set­ting tar­gets, we may well need to take a few baby steps before we start walking some­where useful. But that’s not fully reas­suring, yet.

What about Canada? Environment Minister Jim Prentice is tickled that Canada and the U.S. are “har­mo­nizing” their responses, regard­less of their quality. He’s pointing out that the tar­gets are oh-so-close to each other. Great! But if we want to use the 1900 base­line, just how close our tar­gets are would depend on how we com­pare with regards to rel­a­tive increase in emis­sions since then. Let’s check.

Unfortunately, Wolfram Alpha’s green­house emis­sions data only goes up to 2005, so we’ll have to fudge the Canadian cal­cu­la­tion a little and run it against 2005 data instead of the 2006 that the gov­ern­ment is using in their cal­cu­la­tions. That said, here goes:

That’s 100.3% of our 1990 emis­sions (assuming again that the data is cor­rect). Very close to the U.S. com­mit­ment, yes. We’ve just very classily man­aged to commit to nudging our emis­sions com­mit­ment a teeny bit higher than the 1990 amounts that were scary back then.

I’m in the process of switching domain reg­is­trars for hughstimson.org. Access to the site may be affected at some point this week. But prob­ably not.

Project Grizzly is up at NFB!

I can’t remember where I first saw this crazy thing. Afterwards, when people started talking about Herzog’s Grizzly Man, it took me a while to sort out that they meant a dif­ferent movie. “Wait, in the grizzly man doc­u­men­tary you’re talking about, he doesn’t don home­made battle armour and search out bears for combat?”

Peter Lynch, 1996, 72 min
In this feature-length doc­u­men­tary, Troy James Hurtubise goes face to face with Canada’s most deadly land mammal, the grizzly bear. Troy is the cre­ator of what he hopes is a grizzly-proof suit, and he repeat­edly tests his armour – and courage – in stunts that are both hair-raising and hilar­ious. Directed by Peter Lynch, the film has become a cult classic in the United States and is rumoured to be a favourite of director Quentin Tarantino.”