blog photos radio projects me

Wordle is a bril­liantly flex­ible applet for cre­ating text clouds. It has sud­denly become very impor­tant for me to wear one of my papers as a tshirt. Or per­haps to write a paper worth wearing as a tshirt.

Here is Historical con­text for endoge­nous the­o­ries of eco­log­ical diver­sity:

I have a group project writing an agent-based pro­gram to sim­u­late the for­aging behav­iour of ants. The NetLogo imple­men­ta­tion of this idea makes it look easy. Turns it out it’s not. Which has lead to lots of inter­esting ques­tions about ants.

Incidentally, the project is being written using the RePast agent based mod­eling libraries for java. Now, I haven’t looked at the code of the NetLogo sample imple­men­ta­tion since I started writing this thing, because we’re not sup­posed to. But I did look at it last semester, and I seem to remember you could fit the code on a tshirt, using a fairly hefty font, if you were so inclined. You could not fit the equiv­a­lent java code on a tshirt. You could not fit it on a muumuu. If nothing else, this project is con­vincing me that as soon as we’re let loose, I’ll be switching to NetLogo. RePast may not be as clumsy or random as a blaster, but NetLogo is just like way faster. Bring on the clumsy and random.

In an effort to answer some of my ques­tions about how real ants have solved their RePast pro­gram­ming issues, I got a copy of Ants at Work by Deborah Gordon out of the library. I was shocked and mildy irri­tated to see that no one has checked out this copy — the only one in the UMich system — before me. WTF? I first read AaW when I was con­tem­plating a project for my final year field course in under­grad, and it sticks in my memory as one of the most inter­esting books I have read. Dr. Gordon studies how it is that indi­vidual ants, obeying no rules out­side of their own tiny heads, somehow come together to form the per­sis­tent yet adapt­able super­or­ganism that is an ant colony. She uses methods ranging from painting indi­vidual ants to dig­ging up colonies with back­hoes. It was my first intro­duc­tion to the idea of emer­gence, before I (or appar­ently Dr. Gordon) had ever heard the word.

I can’t believe nobody else has read it around here. What’s wrong with these people? It’s so much more portable than The Ants, and costs 1/20th as much, even if you don’t include the cost of the hand cart.

Also, there is a rac­coon sleeping in the garbage bin to the east of the Shapiro library doors.

wtf.gif

After an immensley long pause I have finally put a bunch of photos from the summer Little Smokey plant up. Available here if you want them.

Not very many this year really. Sort of a qui­eter, more reserved bunch than pre­vious years. Reflective of the gen­eral sad­ness of the passing of an era. Which isn’t very appro­priate, con­sid­ering we went out with a blazing fury.

Maybe more will follow. Also, I have emailed Sherwin to remind him that one or both of us needs to do some­thing about the Ryan’s crew tshirt. Expect action on that, oh, any day now.

van and helicopter at intersection

Dr. Suzuki is on a big media blitz these days, pro­moting his new auto­bi­og­raphy. There’s high pro­file inter­views on BC and national CBC radio. As they’ve pointed out in the lead-ins to the inter­views, according to the Official and Canonical List of the Greatest Canadians (Male), at #5 David Suzuki is appar­ently the greatest living Canadian. Holy crap.

Somewhere along the line there’s been a sea change in Dave’s pro­file. Back in the day (in this case, back-in-the-day on the scale of my short life), David Suzuki was a under­re­garded geek. Being a Suzuki fan was a very slightly sub­ver­sive thing biology nerds did in an effort to con­struct an alter­na­tive glamour around their own geek­i­ness. Subtle, inside jokes about Dave made in main­stream com­pany gen­er­ally turned out to be just too insider for any sort of response beyond blank looks. Somewhere in the last couple or five years, David has emerged from his crusty bearded cocoon as some kind of national media figure. I sup­pose he’s been very inten­tion­ally devel­oping a media pro­file for years, but since 2000 he’s passed some threshold, gained some kind of crit­ical mass, and become a more or less main­stream icon within Canada. Well, that’s great. Welcome to the nature show. Those who have long loved him for his slightly bel­ligerent, bug-eyed sense of effu­sive pos­i­tivist wonder in the face of the muli­tudi­nous mys­teries of the nat­ural world are happy to share. For the full effect, you really need to start watching the Nature of Things on a fairly reg­ular schedule, prefer­ably starting at an early and impres­sion­able age. That way your mental out­look will be opti­mally molded towards awe and respect for the nat­ural world. If your main impres­sions of the Great Man come from the cur­rent media circus you are cer­tainly free to par­take in the Canadian-style cult of per­son­ality which is growing up around him, but I promise it’s a much more ful­filling expe­ri­ence if your impres­sions of him are shaped mostly inci­den­tally to the slices of nature he presents to you through his TV pro­gram­ming. His doesn’t lack for inter­esting per­son­ality traits to endear or mock, but really I think the body of work he has con­tributed to through his career is every bit as compelling.

So there’s my back­handed attempt to lay claim to the David Suzuki legacy for those of us biology geeks who feel like the rest of the world is showing up late to the party and without much respect for the orginal cos­tume theme. Regardless, if you’re going to have a national hero, you could do a lot worse than Dave. He’s got some­thing for everyone: nature for the nature nuts, sci­ence for the sci­en­tistas, fire and brim­stone envi­ron­men­talism for the con­ser­va­tion­ists and politicos, a subtle under­cur­rent of spir­i­tu­ality for the meta-minded. And in each of those cases, the stuff he brings is good stuff. There’s no ques­tion that the TV shows he nar­rated helped shape the course of my life. That time in a packed Whistler auda­to­rium when he picked me out of the front row atten­dees to lock eyes for the “I am you. You are me.” part of his speech was some­thing of a full-circle moment for me. More than you know Dr. Suzuki, more than you know. And now as he becomes a national figure, per­haps He is Canada, and Canadians are Him. Especially if they buy the tshirt.

Hah! This if fun: The Prejudice Map

Canada faired well. If there’s one thing we excel at, it’s making other people feel warm and fuzzy about us as a gen­eral con­cept. My favourite was Russia. According to the Prejudice Map (e.g., according to Google, e.g. according to the internet), Russians are know for “bru­tality, pas­sion, being tough nego­tia­tors and soul­full­ness”. Quite a mix.

Like I saw on a tshirt the other day, stereo­typing saves time. And this saves you time when stereotyping.

So I’m actu­ally plan­ning to get some tshirts printed up. And after this, I guess I won’t be using American Apparel shirts. But I wanted to get their side of the story, so I sent this email. We’ll see what they have to say.

Dear American Apparel,

I’m going to get some shirts printed. I was plan­ning to use American Apparel shirts, as most of the people I know have done in the past, mostly because I under­stand your clothing to be an alter­na­tive to sweatshop-made prod­ucts. However, I had assumed from your mis­sion statement:

While apparel is a uni­versal neces­sity that tran­scends almost all cul­tural and socioe­co­nomic bound­aries, most gar­ments are made in exploita­tive set­tings. We hope to break this paradigm.”

that “made in the US” also meant “union made”. There are sto­ries that this not true, and that American Apparel may be engaging in anti-union behav­iour, including threat­ening to shut down a plant if the workers organized.

http://www.behindthelabel.org/infocus.asp?id=84

Is this true? If I choose to use American Apparel shirts, I’ll be paying a sig­nif­i­cant pre­mium over other options. I don’t want to be spending that money if your com­pany isn’t living up to it’s own mar­keting about socially respon­sible manufacturing.

I look for­ward to your response,

Hugh

American Apparel makes t shirts, hoodies et al. They very much focus their mar­keting around the fact that they don’t use sweat­shop labour, but rather all of their man­u­fac­turing is done in the US. I have more than one friend who uses American Apparel tshirts for their tshirt-requiring-projects on those grounds.

I guess I always assumed that “sweat­shop free, made in the USA” meant “union made”. I guess they never actu­ally said that, and I guess I was wrong.

More dis­turbing than their lack of a union is that they are accused of engaging in active union-busting tac­tics:

Hopefully this story will get around and they will have to defend themselves.

Every aspect of the pro­duc­tion of our gar­ments, from the knit­ting of the fabric to the pho­tog­raphy of the product, is done in-house. By con­sol­i­dating this entire process, we are able to pursue effi­cien­cies that other com­pa­nies cannot because of their over­re­liance on outsourcing.

In that case, they can hardly give the “we didn’t know what our sub­con­trac­tors were up to” defense.

after all that, I gave into the tem­pa­tion and posted away myself. since nobody’s going to read it (I’m like #123124 on the list of posters), I’m putting it here too, where lots and lots and lots of people will read it.

for ref­er­ence, the article that gen­er­ated all the heat was this blog post knocking Xeni Jardin’s posting of the “cre­ative com­mies” copy­left flag I blogged about ear­lier.

ok, here’s what I said:

  • first, the cre­ative com­mies meme was done in fun and on the spur of the moment, obvi­ously. if we start stressing about being spon­ta­neous and fun, even if it is in a public place like a blog, then we will all get bored and go home. copy­right reform will not ben­efit. or worse, we will all be boring. no amount of copy­right reform is worth that.

    sec­ondly, while I greatly appre­ciate Charlie Stross’s com­ments on the neces­sity for some min­imal level of pro­fes­sion­alism in the PR approach of copy­right reformists, I think he is ignoring or at least under­val­ueing the pos­si­bility that we will not suc­ceed by out-suiting the suited on the suits-only stage. this is a move­ment that stands to gain a lot by informal, friend to friend, col­league to col­league growth. pos­sibly, by the time we are debating it on stage, the debates will only be a for­mality, given that we will have the weight of public opinion and behav­iour at our backs regard­less. perhaps.

    third, the fact that Rush Limbaugh points to this meme as evi­dence of our lit­eral com­mu­nism doesn’t greatly worry me. I have no hope of con­verting his audience.

    fourth (wow, that’s a lot), if enough main­stream folk point in Rush’s manner, then the cumu­la­tive effect might be to grad­u­ally shift those folks out of the main­stream in the opinion of the public, as attacking our social ben­efit propo­si­tion by pointing at our tshirts doesn’t look so hot as a debating strategy to anyone with sense. I am assuming the public has sense, and I’m not sure that I’m wrong.

A short trip through the world of dis­trib­uted cre­ation in the infor­ma­tion age, in ser­vice of, well, the world of dis­trib­uted creation…

(in order to avoid unec­es­sary stress and social ten­sion, I will reveal that this trip ends in the cre­ation of a cheap tshirt you can buy)

  1. Bill Gates paints intel­lec­tual reform advo­cates as being “new modern-day sort of com­mu­nists” in an inter­view pub­lished online.

  2. Xeni Jardin finds this tit­il­lating (as she often finds things) and posts about it over at boingboing.net.
  3. This guy writes in to boing­boing to say “Obviously, what we need is a large red flag with a gold copy­left in the upper left, replacing the hammer and sickle.” Xeni ren­ders such a graphic and posts it.
  4. This guy adapts the idea, inte­grating a “vec­tor­iza­tion I did of the Aeroflot logo”. Did he happen to have vec­tor­ized the Aeroflot logo before or after this all came up?
  5. Somebody likes that design, and fires up a cafe­press node to print tshirts with them to any­body who likes them.
  6. Somebody else, who hap­pens to own a silkscreening com­pany, fig­ures he can make better cheaper tshirts on the same theme, so he’s gonna.

Total time, ==> ,

UNDER TWO DAYS.

All of which illus­trates, appro­pri­ately, the power of dis­trib­uted cre­ation. Creative Commies, I salute you! (and Bill Gates, wel­come to the process!)

The New York Times has a report on the administration’s con­sid­er­a­tion of explicit decep­tion to combat ter­rorism, even if it includes lieing to the more gen­eral public:

Pentagon Weighs Use of Deception in a Broad Arena

Regardless of the obvious short sit­ed­ness of having an insti­tu­tional lieing policy (“We cry wolf.”), there are some reminders here of the Republican administration’s ongoing desire to “sell” democ­racy and American ideals around the world.

Administration offi­cials say they are increas­ingly trou­bled that a nation that can so suc­cess­fully market its cars and colas around the world, even to for­eigners hos­tile to American poli­cies, is failing to sell its demo­c­ratic ideals, even as the insur­gents they are bat­tling are spreading false­hoods over mass media out­lets like the Arab news satel­lite channel Al Jazeera.

This goes back a few years now, to when Bush made some high level apoint­ments of ex-PR industry people to try and adver­tise Americanism around the world. I can’t imagine how this could pos­sibly work, so much so that I’m suprised that some people think it can. I think it reflects the idea that democ­racy and cap­i­talism are pretty much the same thing. That idea was explicity laid out in the National Security Strategy, wherein supris­ingly frank lan­guage sug­gested that democ­racy was a symptom of cap­atilism. With that as offi­cial policy, I guess it makes some strange sense to sell democ­racy with the the tools of capitilism.

But democ­racy is not a mate­rial good, and American democ­ractic ideals are not a brand. They are actions and processes. You can sell stuff, and modern branding theory has it that you best sell stuff by selling ideas, but that doesn’t mean you can sell democ­racy by selling ideas. If democ­racy is just an idea, and the idea emanates from people who have encoded pol­icys of lieing, then why in the world would you buy it? There are more fun things to put on a tshirt. This admin­is­tra­tion sees democ­racy as a tool to pacify ene­mies, an abstract notion that can opiate, but it’s not and it won’t work as such.

People take up democ­racy because it does things, it is good ben­e­fi­cial action and process. If you want to sell democ­racy, the way to do it is to have real democ­racy. It will work, democ­racy does work, that’s why it’s good, that’s why we like it. When it does, the results will speak for them­selves, as they have been.

Democracy requires truth to func­tion. If deci­sions are made by people gen­er­ally, and gov­ern­ment hordes truth and spreads lies, then good deci­sion can’t be made. Integrity of gov­ern­ment is a nec­es­sary pre­cursor for democ­racy. The cur­rent admin­is­tra­tion doesn’t seem to really believe in or under­stand democ­racy, so maybe it’s not suprising that they are trying to “sell” democ­racy at the same time as they are delib­er­ately under­mining the government’s integrity.

Further reading:

Lie To Us

Whilst trying to figure out what hap­pended to plain black soft­ware (please please please don’t have gone under now that I’ve built the sea-to-sky.net site using webgui…), I came across this post on alt.gothic.fashion about where to find black tshirts. One of those little details you don’t think about unless you’re actu­ally a goth trying to track down a good quality ver­sion of one of the sta­ples of your wardrobe.

Well my per­sonal col­lec­tion of heavy­weight “plain” black tops
(including long sleeve Ts, short sleeve Ts, sleeve­less “muscle“
shirts and tank tops (sin­glets, wifebeaters, what­ever your area calls
them — both ‘ribbed’ and flat) ) all came from either Meijers (if
you’re in the Michigan/Ohio region) or Walmart. They’re the only ones
I’ve actu­ally found that carry the heavy cotton shirts that I like.

Oh, if he’s going for the jeans as well. So far I’ve found Wranglers
hold the black colour the best. I’ve got a pair of $12 Wranglers that
look almost per­fect black after four years. Levis tend to fade after
10–15 wash­ings. Fair warning though … wash the wran­glers twice
before doing any serious sweaty labour in them. Otherwise your legs
will look a dark grey after­wards. I don’t know what the dye is that
Wranglers uses, but it;s a good one. :-)

Here’s a ques­tion with an eco­log­ical flavour: does global inter­con­nec­tivity lead to stan­dard­iza­tion or diver­si­fi­ca­tion? If cul­ture and ideas can flow freely and over great dis­tances around the earth, does every­thing become a homoge­nous mir­roring of the most pow­erful cul­tural influ­ences (i.e. Hollywood, McDonalds and Abercrombie and Fitch) or does it allow the flow­ering of many cul­tural niches?

There cer­tainly seems to be lots of con­cern about homog­e­niza­tion, and pleny of inter­na­tional McDonalds fran­chises and Palestinian kids wearing Linkin Park tshirts to back up that theory. On the other hand, their is plenty of anec­dotal evi­dence and on-line the­o­rizing that the internet in par­tic­ular has allowed people to ultra-diversify: lots of people now iden­tify with little sub­genres that didn’t have the crit­ical mass to sus­tain them­selves in white­bread towns in America but can now con­nect with each other on line.

Is glob­al­iza­tion diver­si­fying America and Americanizing every­body else?

Am I con­fusing two dif­ferent things with “glob­al­iza­tion”? Are the two ends of the spec­trum maybe being driven by two dif­ferent “glob­alist” forces? Is it transna­tional cor­po­rate mar­keting and cap­atilism gen­er­ally vs. indi­vidual on-line expression?

My beloved old crotchey rocket has been suf­fering for a while. It starts hard, the power surges and stag­gers, and it stalls out if I let the idle drop to normal rpms. Ouch. I’ve done what I can for it, with some help from my friends, but I just haven’t been able to bring it around. I didn’t know who I could turn to in Squamish for help.

The bike came with a great mechanic when I bought it in cali. Although he didn’t talk much, he loved to tell the story of how it first started showing up in his shop in the form of bits and pieces brought in wrapped in an oily rag by a woman in cov­er­alls who had found the bike in storage sowhere and decided to rebuild it as a learning excer­cise. I noticed I got billed about half as much if I showed up with grease under my fin­ger­nails, and some­times if I described what I had done already, he would hand over a couple more sug­ges­tions and some tools and look the other way while I worked in the parking lot.

Toto, I don’t think we’re in cal­i­fornia any­more. The first shop I tried was run by a friendly helpful young guy who may or may not have ever ridden a motor­cycle on pave­ment. We chatted for a while about his dog and the new four stroke off-road bikes (I know nothing about off-road bikes, four stroke or oth­er­wise — his dog is great though). He decided that he was con­fi­dent that his mechanic could prob­ably help me, even if all he had ever seen him work on was two strokes.

“This one is much too soft!” she grumbled.

Down the road is Beaver Motorcycles. It must be spring because they are finally open, some days. Inside a couple of guys in black leather vests and black jeans and black tshirts and black ball caps and long hair were kneeling around a dis­man­tled Harley and smiling con­tent­edly. “Do you guys do metric?” One of them looks up with a grin. “You mean, Japanese bikes?” “Yup”. “How many cylin­ders?” asked the other. “Four”. “Ouch. How many car­bu­re­tors?” “Uh… four.” “That’s a lot of car­bu­re­tors. Well, if you’ve got a manual for it, bring it down and we can have a look at it”.

“This one is too hard”.

I finally made it in to that place on Industrial I saw when I first came through Squamish back when. “Windbell Enterprises”. Kind of an odd name for a bike shop. Sitting on the curb how­ever, propped up in pride of place, was an orange 70’s era Kawasaki 350. Kind of like what Rob Persig would have rode if he had been a little cooler. Inside was an expan­sion on that theme — Hondas, Kwackers, a few Yamahahas. The youngest was a late 90s road rocket. Mostly UJMs and street/sports. Nothing with nice detailing or a splashy coat of paint, but every­thing clean and neat. The place reeked of unrec­og­nized, unglo­ri­fied, well engi­neered, well ridden uncool cool. (and oil of course). Masao is an inno­cous, friendly looking guy in glasses, but there’s a broken in set of racing leathers hanging on the wall with thor­oughly shredded pucks on the knees. And when I told him I had an ’82 GPz 550, he was quick to verify that the bike in the window was indeed an ’84 GPz 400. I didn’t think such a thing existed. Turns out it does, if you import it from Japan. I told him my prob­lems and he asked me to describe in detail the noises and events sur­rounding the issues. The next day I brought it in, he gave the engine a couple or quick revs and started talking with quiet authority about the speci­ficity of the valve clear­ance and the man­u­fac­turer of the cam chain adjuster.

“This one is juuust right.”

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