In which I scrape all my old radio playlists off the web, cook them with Python, Google Refine and PostgreSQL, and discover that I played one heck of a long tail of songs. And J.J. Cale.
A friend from the Ann Arbor years was in town for a conference, and it put me in mind of my radio days. After every show I used to post up a link to the playlist automatically generated by the WCBN server. Like this for example. I was wondering: what could be done with all that DJ Hugonaut data?
I was wondering that, and I also happen to have a lot of idle time at night while I’m on sleeping-baby-monitoring duty. So here we go.
Scraping the Webpages with Python
The first step was to actually get all that data from the web, preferably in some more data-like format than raw HTML. This task is sometimes called ‘scraping’, which sounds kind of nasty but there you are. There may be better languages for web scraping, but since I started programming in Python I’ve been enjoying coding more than any other time in my life. So Python it is. If you like pressing the tab button, you too might enjoy programming in Python.
Python has built in capabilities for connecting to a website and getting the HTML, but navigating the raw HTML tags for useful info sounds like a terrible idea. An HTML parser was needed. I chose Beautiful Soup on the strength of it’s name. Works great.
Here’s the Python code I wrote for the web scraping job. Please don’t look at it. It was largely written while distracted and occasionally while drunk.
The script starts by connecting to hughstimson.org/projects/djhugo/ and scanning for individual podcast episodes. It extracts a bunch of data about each episode, most especially the link to the playlist on the WCBN server. It sucks down that webpage as well, and rummages through it looking for all the tracks I played that day with their times, names, artist, album, etc.
It organizes all those tracks from all the episodes into a table, and spits it into a big gob of a .csv file.
De-Duping in Google Refine
DJs at WCBN key the name of the track they’re playing into the playlist database as they play it, as well as the artist/album/label. In theory. In practice you’re busy spilling a thermos of cold coffee into turntable 1, and you rarely have time to spell Dilaudid (Marrtronix Version) precisely the same way you did last month, or look up the label that originally released A John Waters Christmas.
So the data quality from my old playlists is not exactly pristine. Enter Google Refine.
Google pitches Refine mostly towards journalists who have to deal with the crummy state of publicly released government records (here’s a compelling example of that pitch). But it’s also useful for former DJs reminiscing about the brilliant sets of their younger years.
There are a lot of power options in Refine that I don’t know how to use, but the key tool is cluster. Import a file, click on a column, create a ‘facet’, and then when that facet appears press the Cluster button.
Here’s an example of Cluster suggesting that Tragically Hip and The Tragically Hip might be the same band. This is fundamental.
There are a number of cluster algorithms available, and as I ran them against track names, artists names and album names I found they almost all discovered a new set of duplicates. After accepting or rejecting a round of suggestions from each algorithm you can re-run the clustering on the results and see if anything new pops up.
There are a bunch of algorithms for clustering baked into Refine, and most have tweaking options available. Almost every algorithm I ran surfaced mislabelled entries in my tracks, albums and artists, and most algorithms seemed capable of flagging a different set of mistakes. Once a cluster of entries has been suggested you can quickly pick one name to assign to the bunch of them. Press Merge Selected & Re-Cluster (a very satisfying button) and see what new suggestions emerge. If there’s nothing new, tweak your algorithm or try a new one. Deploy all algorithms. That’s life advice.
De-duplicating of table entries can also be done using the Filter option in Excel, plus a whole lot of scanning up and down the filtered list with your hurting eyeballs. But Refine’s cluster tools saves time, and catches edge cases you likely would have missed if you were depending on alphabetical proximity of sister entries. Even better, the merge & recluster process induces a strong feeling of saving time. This is especially important if you’re ignoring your actual work to play with a vanity project.
Here’s the output:
Analysis in PostgreSQL
Clean data is fine, but what I wanted was summarization. Mostly I wanted to answer a question that nagged me throughout my tenure as a DJ: was I qeueing up the same 12 songs over and over? Because sometimes when it was 6:40 in the morning and the request line wasn’t flashing and I was dropping the needle on MC5’s Sister Anne yet again it sure felt like I was.
Perhaps pivot tables in Excel could have addressed this question. But since I started using PostGIS to answer geographic posers I’ve been much taken by the speed and flexibility of typing out little SQL words to do magic. PostGIS runs on PostgreSQL so up into the PostgreSQL database went the Refine output.
With the data loaded into the database, questions can be put to it. Some of those questions follow, with the specific SQL query I used to ask them, and the result.
First off, how many music shows did I do (at least that I remembered to post a playlist for)?
SELECT COUNT(DISTINCT(episodename)) FROM radio
Sounds about right. And just how many times did I press the red ‘play’ button during those 52 shows?
SELECT COUNT(title) FROM radio
That’s a lot of songs. I repeated some for sure. How many totally different tracks did I play?
SELECT COUNT(DISTINCT(title)) FROM radio
Damn. Over a thousand different songs. And I promise I only occasionally pulled an album at random off the shelf.
Speaking of which, just how many albums did I draw from?
SELECT COUNT(DISTINCT(album)) FROM radio
And how many different artists did I play?
SELECT COUNT(DISTINCT(artist)) FROM radio
Also a lot. More artists than albums in fact. Presumably that’s because I couldn’t always be bothered to enter an album name, but usually got to the artist field, which came first. And sometimes I was playing some odd bit of internet artifactery and I didn’t know what the hell to write for ‘album’ anyway.
The DJ Hugonaut Charts
Down to details. What were the favourites?
SELECT title, artist, COUNT(title) FROM radio GROUP BY title, artist HAVING COUNT(title) > 3 ORDER BY COUNT(title) DESC, title ASC
|#1||Violet Stars Happy Hunting!||Janelle Monae||6 plays|
|#2||Run DNA||The Avalanches||5 plays|
|#3||Can’t Let Go||Lucinda Williams||4 plays|
|#3||Canary in a Coalmine||The Police||4 plays|
|#3||Chicken Soup for the Fuck You||Shout Out Out Out||4 plays|
|#3||Many Moons||Janelle Monae||4 plays|
|#3||Sexual Healing||Hot 8 Brass Band||4 plays|
Ah yes, Violet Stars Happy Hunting. They say that album did very well on college radio. I’m to blame.
SELECT artist, COUNT(artist) FROM radio GROUP BY artist HAVING COUNT (artist) > 9 ORDER BY COUNT DESC, artist ASC
|#1||J.J. Cale||20 plays|
|#2||Fred Eaglesmith||17 plays|
|#2||Janelle Monae||17 plays|
|#3||The Mountain Goats||16 plays|
|#4||Neil Young||15 plays|
|#5||Lucinda Williams||13 plays|
|#5||Mike Doughty||13 plays|
|#6||Merle Travis||12 plays|
|#6||Tom Waits||12 plays|
|#7||Danko Jones||11 plays|
|#7||Jonathan Richman||11 plays|
|#8||Bob Dylan||10 plays|
|#8||Go Home Productions||10 plays|
How I miss broadcasting J.J. Cale to the Ann Arbor and greater Ypsilanti region.
Fred Eaglesmith, Lucinda Williams, Merle Travis — I’ve forgotten how much country I played. I don’t like country I swear. Just the awesome parts. And Merle Travis I suppose.
SELECT album, artist, COUNT(album) FROM radio GROUP BY album, artist HAVING COUNT (album) > 5 ORDER BY COUNT DESC, album ASC
|#1||Metropolis Suite 1: The Chase||Janelle Monae||17 plays|
|#2||Live’r Than You’ll Ever Be||Kleptones||11 plays|
|#3||Rockity Roll||Mike Doughty||9 plays|
|#4||Fred J. Eaglesmith||Fred Eaglesmith||7 plays|
|#4||The Complete Bootlegs||Go Home Productions||7 plays|
|#5||Car Wheels On A Gravel Road||Lucinda Williams||6 plays|
|#5||Not Saying/Just Saying||Shout Out Out Out||6 plays|
|#5||Southern Roots||Jerry Lee Lewis||6 plays|
|#5||The Essential||Taj Mahal||6 plays|
|#5||Vampire Weekend||Vampire Weekend||6 plays|
Again with the Janelle Monae. Metropolis Suite 1: The Chase was no doubt the album I played the most from, but it only made it to the top of this particular list thanks to Refine’s ability to resolve a lot of different ways to spell the same album name while stashing vinyl in slip covers and qeueing the emergency broadcast test.
Live’r Than You’ll Ever Be made the list because the tracks on that album bleed very sweetly into each other. Thus if you need to walk out of the studio for a fire alarm or smoke break you can count on a solid hour of self-transitioning music. There’s a tip for you.
The Long Tail
So those are the charts. What I find surprising about them is how little play those top plays got. For example: the top 10 albums collectively contributed only 6% of 1400 plays. And that includes The Essential Taj Mahal.
Here’s the frequency of track play frequencies:
SELECT titlecount, COUNT(titlecount) FROM (SELECT COUNT(title) AS titlecount FROM radio GROUP BY title, artist) AS subquery GROUP BY titlecount ORDER BY titlecount DESC
|# of plays||# of tracks played that many times|
And let’s see that data in traditional long-tail layout.
SELECT title, artist, COUNT(title) FROM radio GROUP BY title, artist ORDER BY COUNT(title) DESC
Yes by god, that is a long tail.
Sure I had some crushes on a few tracks, but 68% of my airtime was made up of 941 tracks that I queued up once and never again. I guess I could have gotten away with a few more repeats after all. Next time: all J.J. Cale, all the time. That will be good radio.